Maxims I e Maxims II. Poesia gnomica in inglese antico, edizione, traduzione e studio critico a cura di Gabriele Cocco

Gnomic poetry plays a fundamental part of the so-called Old English Wisdom Literature. The Anglo-Saxons showed a strong tendency to inspect, wonder about, and ponder on the primary aspects of human thought, life and essence. This frame of mind is characterised by sequences of concise, tightly-structured proverbial utterances. Such briefness endows gnomic poetry with a sharp, authoritative force. The Anglo-Saxon scop turns to a gnome, maxim, proverb, laconic, sententious saying to compose alliterative verses on native folklore and traditional patterns of thinking. In Old English literature, gnomic poetry inextricably blends pious Christian elements with ancient themes of a heathen far-flung Germanic tradition. Gnomic verses not only deal with folklore, they also stand as a powerful and elaborate literary device to affirm a moral, or even to portray virtues or vices. Such a literary sensibility stands in the middle between a Christian religious tradition which traces its roots back to Old Testament proverbs and the typical Germanic wisdom-competition poems such as Old Norse Vǫluspá, Vafþruðnismál, Heiðreks Saga and so forth. Yet, the Anglo-Saxon scop used the gnomic verse as a reliable fund of ethical dictum on which he would generally call to celebrate, in a poem, an episode worthy of celebration or to restate an accepted truth. There are extant heterogeneous ‘compilations’ of gnomic verse to which scholars normally refer as Maxims I and II. Furthermore, there are some other examples to be found in other poems, such as in The Wanderer or in Beowulf. The Exeter Book and BL MS. Cotton Tiberius B.i contain the utmost examples of gnomic passages. The vivid content of the Maxims caused a variety of opinions relating to both the significance of the style of these poems and the provenance of its content based on large number of literary sources. The purpose of this Doctoral dissertation is to carry out a scrutiny of the Old English gnomic tradition, focusing on Maxims I and II, supply an edition of the texts, write a variorum commentary and an analytic glossary. At the same time, this work aims to take into consecration the reason such a theme dendritically sprouts and suddenly reaches new heights in some crucial parts of Old English literature.