Tannhäuser nello specchio delle prime traduzioni in italiano

If translations, like any other form of rewriting, contribute to establishing the “literary fame” of an author or work, then it may be interesting to observe how a controversial figure such as Tannhäuser was introduced to the Italian readership after the Second World War and what image of the poet was projected in the anthologies published in those years by Clementina di San Lazzaro & Gianna Murri, Francesco Politi, and Giovanni Vittorio Amoretti.