Versi con visto di transito. Le forme del ricordo nelle "Strofe per dopodomani" di Durs Gruenbein

The essay deals with the peculiar poetological consistency of D. Gruenbein's "Strophen fuer uebermorgen" and attemps at showing how this poetry constructs memory and, at the same time, questions its substance, as if it were just a form of oblivion.Aafter marking the poetical difference between these "Strophen" and Gruenbein's previous works, the essay focuses on the poetical strategies charachterizing their peculiar ductus.