Catastrofe del verso, catastrofe della lettura. Sulla poesia di Marcel Beyer

The essay, theoretical in nature, aims to interrogate the unprecedented semiosis that, in the interaction between the poem's voice and natural space, disrupts to the point of catastrophe both the voice that in the Beyerian verse speaks and the reading that the verse seems to prescribe for its listening. In dialogue with the reflections of Varela and Morton as well as with the philosophical debate on the so-called “vibrant matter,” an attempt will thus be made to show how the mutual contagion between the poetic self and spaces of more or less contaminated nature undermines, in Marcel Beyer's last collection of poems, the very instances of poetic eloquence, transforming the liber naturae into a hyperobject that calls for wandering, transversal, difracted readings.